The Artificial White Man Essays on Authenticity
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EngelsPaperback978046501516008 november 2005244 pagina's
Stanley Crouch
"Stanley Lawrence Crouch (born December 14, 1945) is an American poet, music and cultural critic, syndicated columnist, novelist and biographer, perhaps best known for his jazz criticism and his 2000 novel Don't the Moon Look Lonesome?
(Bron: Wikipedia. Beschikbaar onder de licentie Creative Commons Naamsvermelding/Gelijk delen.)"
Alles van Stanley Crouch(Bron: Wikipedia. Beschikbaar onder de licentie Creative Commons Naamsvermelding/Gelijk delen.)"
Samenvatting
[Crouch's] personality, his persona, manifests itself with such force that one is compelled to enter into a kind of active dialogue... Animated and stimulating. -Washington Post
Another dance of the bull through the china shop of cliches, The Artificial White Man proves the correctness of Tom Wolfe's observation that Stanley Crouch is "the jazz virtuoso of the American essay." This time out, Crouch focuses his attention on issues surrounding the often misdirected American hunger for "authenticity." Though the essays range in topic from segregation in contemporary fiction to the racial politics of filmmaker Quentin Tarantino, they are informed by a singular concern: our increasing difficulty in discerning the real from the counterfeit, the posture from the pose, in contemporary life.Crouch moves across literature, music, sports, film, race, sex, class, and religion with insights withering in one instance, celebratory and challenging in another. Long known as an independent thinker, Crouch takes further intellectual chances in this collection challenging us to live up to the potential of our social contract and our democratic arts. Pointed and provocative, The Artificial White Man is as witty and eye-opening as cultural criticism gets.
Another dance of the bull through the china shop of cliches, The Artificial White Man proves the correctness of Tom Wolfe's observation that Stanley Crouch is "the jazz virtuoso of the American essay." This time out, Crouch focuses his attention on issues surrounding the often misdirected American hunger for "authenticity." Though the essays range in topic from segregation in contemporary fiction to the racial politics of filmmaker Quentin Tarantino, they are informed by a singular concern: our increasing difficulty in discerning the real from the counterfeit, the posture from the pose, in contemporary life.Crouch moves across literature, music, sports, film, race, sex, class, and religion with insights withering in one instance, celebratory and challenging in another. Long known as an independent thinker, Crouch takes further intellectual chances in this collection challenging us to live up to the potential of our social contract and our democratic arts. Pointed and provocative, The Artificial White Man is as witty and eye-opening as cultural criticism gets.
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- 08 november 2005
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- 244
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- Originele titel
- The Artificial White Man: Essays on Authenticity
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- 203 mm
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- 135 mm
- Verpakking hoogte
- 19 mm
- Verpakking lengte
- 203 mm
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- 284 g
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- 9780465015160
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